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July 27th

Happy Birthday, Enrique Granados!

Enrique Granados was born on this day in 1867, in the city of Lleida, Spain.  As a young man, he first studied piano… read more

July 24th

Stanton’s Welcomes Nancy Bachus

On Friday August 7th, Stanton’s will host a piano workshop presented by Nancy Bachus.   She is one of Alfred Music’s… read more

July 29th

Join Us for EXCELLENCE IN CHORAL LITERATURE

Stanton’s Sheet Music is pleased to announce our 22nd annual Excellence in Choral Literature Clinic on Saturday August… read more

July 27th

Happy Birthday, Enrique Granados!

Enrique Granados was born on this day in 1867, in the city of Lleida, Spain. As a young man, he first studied piano… read more

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War Requiem Op 66 (SATB Choral Only)
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Title: War Requiem Op 66 (SATB Choral Only)


Voicing/Format: SATB
Publisher: Boosey & Hawkes Inc
Composer: Britten, Benjamin
Catalog #: 48009030 Price: $38.00

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for soprano, tenor and baritone solos, chorus, orchestra, chamber orchestra, boys' choir and organScoring: 3 (3=picc), 2, ca, 3 (III=cl in Eb and bass cl), 2, dbl bn; 6, 4, 3, 1; timps, 4 perc (2 sd, td, bd, tamb, trgl, cymb, castanets, whip, Chinese blocks, gong, bells in C and F#, vibr, antique cymbals in C and F#); piano, grand org (ad lib); strings.Chamber orch: fl (=picc), ob (=ca), cl, bn; hn; perc (timp, sd, bd, cymb, gong); harp, string quintet (2 vl, vla, vc, db)Chamber organ (or harmonium) to accompany boys' choirText: Missa pro defunctis and Wilfred OwenPublisher: Boosey & HawkesDifficulty level: 5In many ways this magnum opus, one of the 20th century's defining works, was also Britten's defining moment. For a long time Britten had felt that the gap in his output was a major choral/orchestral work. When Coventry mounted an Arts Festival to celebrate the dedication of its new cathedral in 1962 Britten was an obvious choice to ask for a major work. This, for Britten, was the opportunity for which he had been waiting. As a lifelong, passionate pacifist it was his opportunity to write a work which reminded its audience of the reason for the building of this new cathedral, but also, and far more importantly, to demonstrate in the most powerful way possible the horror, devastation, futility and utter waste of war.His inspired idea was to mix the words of the Missa pro defunctis (Mass for the Dead) in Latin with the poems of
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