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February 10th

NEW Adventures with Freddie the Frog!

recommended by Jen Sper, School Choral and Classroom Music Specialist Have your students met Freddie the Frog? Freddie… read more

February 9th

Announcing SCHOOL CHORAL WEEK 2016!

Featuring talented clinicians from major publishers, Stanton’s summer choral clinics are a fantastic way to jump-start… read more

February 10th

Africa Sheet Music by Roger Emerson (SKU: 02501461) - Stanton's Sheet Music

Buy Africa Sheet Music. Arranged by Roger Emerson. Performed by Toto. For 2 Part Sheet Music. Published by Hal Leonard… read more

February 10th

NEW Adventures with Freddie the Frog!

recommended by Jen Sper, School Choral and Classroom Music Specialist Have your students met Freddie the Frog? Freddie… read more

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War Requiem Op 66 (SATB Choral Only)
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Title: War Requiem Op 66 (SATB Choral Only)


Voicing/Format: SATB
Publisher: Boosey & Hawkes Inc
Composer: Britten, Benjamin
Catalog #: 48009030 Price: $38.00

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for soprano, tenor and baritone solos, chorus, orchestra, chamber orchestra, boys' choir and organScoring: 3 (3=picc), 2, ca, 3 (III=cl in Eb and bass cl), 2, dbl bn; 6, 4, 3, 1; timps, 4 perc (2 sd, td, bd, tamb, trgl, cymb, castanets, whip, Chinese blocks, gong, bells in C and F#, vibr, antique cymbals in C and F#); piano, grand org (ad lib); strings.Chamber orch: fl (=picc), ob (=ca), cl, bn; hn; perc (timp, sd, bd, cymb, gong); harp, string quintet (2 vl, vla, vc, db)Chamber organ (or harmonium) to accompany boys' choirText: Missa pro defunctis and Wilfred OwenPublisher: Boosey & HawkesDifficulty level: 5In many ways this magnum opus, one of the 20th century's defining works, was also Britten's defining moment. For a long time Britten had felt that the gap in his output was a major choral/orchestral work. When Coventry mounted an Arts Festival to celebrate the dedication of its new cathedral in 1962 Britten was an obvious choice to ask for a major work. This, for Britten, was the opportunity for which he had been waiting. As a lifelong, passionate pacifist it was his opportunity to write a work which reminded its audience of the reason for the building of this new cathedral, but also, and far more importantly, to demonstrate in the most powerful way possible the horror, devastation, futility and utter waste of war.His inspired idea was to mix the words of the Missa pro defunctis (Mass for the Dead) in Latin with the poems of
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