Over 83,907 Sound Files Available !
Saturday, March 25, 2017
Browse Labs »
French Piano Music
The French Piano Collection Comprised of 48 pieces composed exclusively by French composers, G. Schirmerâ€™s new French… read more March 22nd
Learning to Love Again
recommended by Jen Sper, School Choral Music Specialist Learning to Love Again arr. Jacob Narverud Nashville artist… read more
(via marim-bruh.tumblr.com)… read more March 24th
Now THAT'S a Bari Sax part!! í ½í¸³… read more
Can't attend one of our clinics? Visit Stanton's Virtual Workshop.
In just a few minutes you can have your favorite song printed and ready to play.
Title: Rejoice In The Lamb
Publisher: Boosey & Hawkes Inc
Composer: Britten, Benjamin
Catalog #: 48008987
Description: M060015120 Lcb19 Price: $10.95
i-Link Sound File
for SATB with SATB solos and organ Imogen Holst orchestrated the work for wind quintet, percussion, organ (ad lib) and strings (1952), and there is also a version for SSAA and organ arranged by Edmund Walters (1966) Text: Christopher Smart Publisher: Boosey & Hawkes Difficulty level: 3 One of Britten's most popular and performed works in this genre, Rejoice in the Lamb was written for the 50th anniversary of St. Matthew's church, Northampton in 1943. The remarkable vicar, Walter Hussey, was a great patron of the arts. His vision for St. Matthew's and later for Chichester Cathedral, where he moved to become Dean, is one of the most fascinating stories in the history of the Anglican Church in the last century.Britten called his work a Festival Cantata and it is structured with choral and solo movements. The text by the supposedly mad Christopher Smart (1722-1771) is part of a poem called Jubilate Agno which he composed in a mental asylum having been committed there by his father-in-law for apparent religious mania. He died in a debtors' prison. It was W.H. Auden who brought the poem to Britten's attention. It is easy to see why Britten was so attracted to Smart's poem. It has great colour, drama, bizarre imagery, and the central issue of the individual against the crowd, or against authority, was one to which Britten was to return repeatedly in his works. Britten had developed a deep interest in Purcell's music at this time and had made keyboard realisations of accompaniments f
To play the media you will need to either update your browser to a recent version or update your Flash plugin
Sound Files Unavailable for Purchase due to Copyright Restrictions