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June 24th

The Stanton’s Difference: For New Teachers

We know you have many choices when it comes to purchasing sheet music. Over the next few weeks, we want to take the… read more

June 22nd

The Tale of Guido d’Arezzo

recommended by Jen Sper, School Choral and Classroom Music Specialist Looking for a fun and educational way to introduce… read more

June 24th

Timeline Photos

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June 24th

The Stanton’s Difference: For New Teachers

We know you have many choices when it comes to purchasing sheet music. Over the next few weeks, we want to take the… read more

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Rejoice In The Lamb
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Title: Rejoice In The Lamb


Voicing/Format: SATB
Publisher: Boosey & Hawkes Inc
Composer: Britten, Benjamin
Catalog #: 48008987
Description: M060015120 Lcb19 Price: $10.95

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for SATB with SATB solos and organImogen Holst orchestrated the work for wind quintet, percussion, organ (ad lib) and strings (1952), and there is also a version for SSAA and organ arranged by Edmund Walters (1966)Text: Christopher SmartPublisher: Boosey & HawkesDifficulty level: 3One of Britten's most popular and performed works in this genre, Rejoice in the Lamb was written for the 50th anniversary of St. Matthew's church, Northampton in 1943. The remarkable vicar, Walter Hussey, was a great patron of the arts. His vision for St. Matthew's and later for Chichester Cathedral, where he moved to become Dean, is one of the most fascinating stories in the history of the Anglican Church in the last century.Britten called his work a Festival Cantata and it is structured with choral and solo movements. The text by the supposedly mad Christopher Smart (1722-1771) is part of a poem called Jubilate Agno which he composed in a mental asylum having been committed there by his father-in-law for apparent religious mania. He died in a debtors' prison. It was W.H. Auden who brought the poem to Britten's attention. It is easy to see why Britten was so attracted to Smart's poem. It has great colour, drama, bizarre imagery, and the central issue of the individual against the crowd, or against authority, was one to which Britten was to return repeatedly in his works. Britten had developed a deep interest in Purcell's music at this time and had made keyboa
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