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September 29th

National Federation of Music Clubs Festival

The Junior Festival isn’t all that far off, especially when your students need to practice  to get ready!  Here… read more

September 26th

Why I Look Forward to New Music from Grand Mesa, and You Should Too!

by Ken Tilger, Band Education Specialist – Among the dozen or so publishers whose new concert band titles we preview… read more

September 29th

Our Instrumental Department wants to know: Is it ironic or just incredibly appr...

Our Instrumental Department wants to know: Is it ironic or just incredibly appropriate to have taken an order for "Let… read more

September 29th

National Federation of Music Clubs Festival stantonssheetmusic.wordpress.com The Junior Festival isn't all that… read more

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Lux Aeterna

Title: Lux Aeterna


Voicing/Format: SATB
Publisher: Peer Southern
Composer: Lauridsen, Morten
Catalog #: 00228863 Price: $7.95

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Each of the five connected movements in this choral cycle contains references to 'Light,' assembled from various sacred Latin texts. I composed Lux Aeterna in response to my mother's final illness and found great personal comfort and solace in setting to music these timeless and wondrous words about Light, a universal symbol of illumination at all levels - spiritual, artistic and intellectual.The work opens and closes with the beginning and ending of the Requiem Mass, with the central three movements drawn respectively from the Te Deum, O Nata Lux and Veni, Sancte Spiritus. The opening Introitus introduces several themes that recur later in the work and includes an extended canon on “et lux perpetua.” In Te, Domine, Speravi contains, among other musical elements, the cantus firmus “Herzliebster Jesu” (from the Nuremburg Songbook, 1677) and a lengthy inverted canon on “fiat misericordia.” O Nata Lux and Veni, Sancte Spiritus are paired songs, the former an a cappella motet at the center of the work and the latter a spirited, jubilant canticle. A quiet setting of the Agnus Dei precedes the final Lux Aeterna, which reprises the opening section of the Introitus and concludes with a joyful celebratory Alleluia.--Morten Lauridsen
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